Description

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FROM THE #1 BESTSELLING AUTHOR OF THE BOSCH SERIES AND THE LINCOLN LAWYER SERIES

"Michael Connelly...has the nerve and timing of a whole SWAT team."--New York Times

"Michael Connelly...adds the intricate plotting and perfect-pitch dialogue that keeps The Scarecrow scary. Together, they hook the reader early and never let up."--Philadelphia Inquirer

"An addictive read that, once it grabs you in those first few pages, won't let go of you."--Boston Globe

Forced out of the Los Angeles Times amid the latest budget cuts, newspaperman Jack McEvoy decides to go out with a bang, using his final days at the paper to write the definitive murder story of his career.

He focuses on Alonzo Winslow, a sixteen-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realizes that Winslow's so-called confession is bogus. The kid might actually be innocent.

Jack is soon running with his biggest story since The Poetmade his career years ago. He is tracking a killer who operates completely below police radar-and with perfect knowledge of any move against him. Including Jack's.

About the Author

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Michael Connelly is the author of thirty-one novels, including #1 New York Times bestsellers The Late Show and Two Kinds of Truth. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels and is the executive producer of Bosch, starring Titus Welliver. He spends his time in California and Florida.

Praise For…

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Connelly has the nerve and timing of a whole SWAT team.—New York Times Book Review

Ingenious...twisted brilliance.—Washington Post

Crime fiction at its best.—Miami Herald

High-grade entertainment.—Boston Globe

Magnificent...a nail-biting thriller...Connelly ratchets up the tension...a reminder of why [he] is one of today's top crime authors.—Publishers Weekly

Infernally ingenious...an irresistibly readable thriller.—New York Times on The Poet

Pulse-pounding...Connelly is one of those masters of structure who can keep driving the story forward, paragraph by paragraph, in runaway-locomotive style.—USA Today on The Poet

Showcases Connelly's powerful storytelling...one terrific novel.—Houston Chronicle on The Poet

This guy writes commercial fiction so well, he's going to end up on the "literature" shelves along with Poe if he plays his cards right, and here's one reader who hopes he does.—Los Angeles Times on The Poet